Meta Music Reviews – Reviews of Musicians Reviewing their Music

The Music Snob is now introducing meta-reviews to this fine cyberworld. While some of you may have an idea of what this is, and it may in fact exist in many locations elsewhere, I can’t be bothered to seek out and destroy these other locations, or even inquire as to their existence, and so, according to this blog, TheMusicSnob.com is now premiering the “meta music review”.

What is a meta music review?

A commentator’s review of a musician’s commentary on his own music.

*Note: they can also be a musician’s review of a commentator’s review of his music. But we will be focusing largely on the former for now.

Why are meta music reviews worthwhile?

• Meta reviews depend on musicians to think and evaluate their own music, and communicate something about it with words
• Having musicians review their own music will foster creative and musical dialog
• Meta reviews will bring humor and insight to the creative process
• Meta reviews will force us to discover some new music and consider new creative ideas and perspectives

Whoohoo!

Stay tuned for the first of our meta music reviews. Bear in mind that these depend on the quality of music review submissions we receive, so 

SUBMIT YOUR MUSIC REVIEW NOW!

Posted in Meta Music Reviews | 1 Comment »

How to Book a Music Tour – IndieOntheMove.com

I just came across a great site called Indie on the Move.

What is Indie on the Move?

The site is a free database of booking information for music venues across the US, designed to help bands book tours.

Booking a Music Tour Just Got Easier

• The information is helpful and to-the-point. Contact info and booking tips.
• The site design is very visual, making it easy and pleasant to find what you’re looking for.

Nice job on the site, guys. This is akin to what I was hoping to start with the Music Snob venue wiki, but this site has better information in a more visually pleasing way.

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Music Licensing and Corrupt Music – A New Way to Sell Out

Yesterday’s New York Times has an interesting discussion on the detrimental effects of music licensing on the creation of music itself.

The question is: What happens to the music itself when the way to build a career shifts from recording songs that ordinary listeners want to buy to making music that marketers can use? That creates pressure, subtle but genuine, for music to recede: to embrace the element of vacancy that makes a good soundtrack so unobtrusive, to edit a lyric to be less specific or private, to leave blanks for the image or message the music now serves. Perhaps the song will still make that essential, head-turning first impression, but it won’t be as memorable or independent.

There are plenty of good points brought up over the tricky relationship between commerce and art. It’s a perennial problem that’s manifesting itself in new ways given the shifts in the music industry.

Licensing hasn’t changed how or why I write music, but I have never made any money from licensing.

It seems to me that anything that can be corrupted will be corrupted, but that’s not necessarily terrible. There will always be a new generation of uncorrupted artists, ready to throw themselves off the cliff. I am generally concerned, though, about the increased branding and marketing of everything in this life.

As we seek a perpetually higher standard of living, how can people make more money without increasing the amount of things they sell to other people?

What do you think? Check out the article.

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The Perfect Headphones for the Musician In-Transit

One of my favorite possessions in the entire world is my pair of
Bose® QuietComfort® 2 Acoustic Noise Cancelling® Headphones

These headphones have totally improved my quality of life. Gone are the days in college when I would dedicate long nights to hanging out and listening to music. Since I’m so busy now, most of my real music listening occurs while I’m in transit. Taking public transportation without a book to read or music to listen to can be a real bore. But getting these headphones has changed my attitude toward commuting entirely.

#5 – Perfect Headphones for Commuting

I live part-time in NYC and part-time in CT, and spend a lot of time on Greyhound buses going back and forth. Buses are loud, the people can be obnoxious, and all I ever really want to do is pretend that I’m not on a bus surrounded by people disturbing my peace. These headphones have made it such that I look forward to taking the bus, just so I can have some alone time with my latest music finds that I want to get to know better.

#4 – Reduce Hearing Damage

In New York City, it seems that pretty much everyone owns an iPod, and insists on listening to it at full volume on the subways. Not only are they damaging the hell out of their ears but they’re polluting the audio environment around them. I hate that. I don’t understand how people can enjoy music that’s so damn loud. It’s like they want their morning commute to mimic the weekend’s trip to a club.

We all prefer our music loud, and when the external noises are already loud, we gotta jack the volume just to hear the song. iPod users all over with the standard earbuds I’m sure must be totally wrecking their hearing. It makes me cringe every time I see / hear someone totally destroying their ears just so they can hear a crappy song on the subway.

With the Bose noise canceling headphones, I love just sitting on the train, adding whatever soundtrack to my day that I want to my day, in the sealed off, comfortable listening environment over my ears.

#3 – Sleep Easier
Even when I’m not listening to music, I often leave the noise cancelling headphones on. This is super useful on the bus, for example, when it’s a long ride ahead, they’re showing a loud movie on the TVs, and passengers around you are annoyingly energetic. I just flip the switch and zone out, as it cuts a bunch of the background right out of your ears. Wake up in my destination, wondering how long I slept. 

#2 – Make Plane Flights Bearable

The background noise on airplanes is so ridiculous. It’s impossible to enjoy the auditory experiences that correspond with flying somewhere. These Quiet Comfort Bose headphones helped me sleep for 15 hours straight on a flight to Cambodia. It was divine!

#1 – Give the World Your Own Soundtrack

The best reason, though, for using these headphones is because you can color your world however you want. Just put on music for whatever mood strikes you. No need to get stressed out by loud machines at a construction site, or deal with background garbage. Now you can decide what kind of world you live in. If you are sad, make it sad. If you want it to be happy, make it happy. 

One of my fondest memories is of walking around Seville, Spain for days, listening to OK Computer in this way. Music tied to life has so much power, as we can see every time we go to the movies.

Check them out:

Bose® QuietComfort® 2 Acoustic Noise Cancelling® Headphones

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Review Your Own Music!

The doctors in our music snob laboratory tell me that we need to mix things up a bit here and try to steer ourselves further off the cliff. So we’ve decided to try something new here at TheMusicSnob.

The Music Snob Challenge
We want musicians to write reviews of their own music. But not boring reviews. And no reviews of famous music. Just unknowns, the guys/girls stranded in Lodi America, maintaining awful MySpace profiles and checking Craigslist.

Here’s the deal.

Write a review of one of your own songs

Make sure it’s either funny, terrible, or inspiring

Include as much ridiculousness and absurdity as possible

Send it to us.

If we think it’s snobbish, terrible, or humorous enough we will post it here…

Get crackin and submit your songs!

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Nobody’s Going to Help You…

Turning back to the old subject of this blog, how to promote independent music, Derek Sivers, founder of CD Baby, recently posted an article about how nobody’s going to help you out to advance your music career.

This is my experience on the subject. It’s not in anyone’s financial interest to help a struggling musician. The odds of turning a profit on someone without a huge existing fanbase are against you. So, it’s a tough road.

Good luck to you. Check out the article, read the hundreds of comments so far…

Posted in Marketing Music | 1 Comment »

CHANES

CHANES from Brooklyn on the Microphones! All 5,000 of them!

This dude is so busy studying his lyric sheets that he hasn’t stopped to notice the thousands of microphones raining down on him. Crazy. After getting an email asking me to check out his tunes, I went to his MySpace page, but was unable to get the songs to play because each time I clicked on the player, it sent me to an external spam-looking MySpace Layout ad website. Garbage! It appears that the sheet of raining microphones acts as a layer of spam, raining down upon his profile, waiting to be clicked. As if MySpace didn’t have enough garbage floating around. 

I’d thought about instituting a no-MySpace-profile links policy on this blog, but had to reneg after breaking it out of laziness almost immediately. My dear CHANES, I want to hear your music but have now wasted a whole lot of time writing a post about not listening to your music and admiring your microphones instead.

Your profile is so pimped-out that I’m afraid of turning into a TV dinner just by looking at it. Please render it usable so I can come back and check out your music! I’m sure it’s great…

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Who ARE these people?!

I’m enjoying checking out the eclectic and bizarre mix of music that’s finding its way to TheMusicSnob. My goal with this blog isn’t to tell you what to listen to. I’m NOT some super obscurist toolbox trying to find the next hottest band that you need to know about. Instead, I’m just applying my ridiculous opinions to the wheat and chaff as it passes by. 

On the bright side, ANYONE who wants their music reviewed, even if it’s the worst shit ever made, has an equal chance. There’s lots of good music, but who’s got time to find it all? Let’s just listen to everything that passes by, and rejoice in the interesting badness and goodness alike. So far, just knowing that people are out there working hard to create their own songs and sounds, this puts me in a much more open-minded, kind frame of reference, than if I were listening to a major label release. 

So if you want someone to comment on your music, send it my way.

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The Heaves

I wish this band had called themselves The John Belushi Deathtrain is Coming and We Will Be Boarding Soon.

Nothing against The Heaves, though. From this live-basement sounding recording you can tell that they are living the American dream, rocking out, drinking beers and having fun. I would hire them to play a party, if I wanted to trash the place and cause mass chaos everywhere. And if I had a dwelling in which to hold a party. Right now I’m stationed in the public library bathroom, tapping into the free Wi-Fi on a laptop I stole from a guy at a bus station. Who knew?!

ARRGHGHGHG. Rock n roll.

Connect the dots…

Band name is “The Heaves”

Dude’s pic is:

He’s got a cigarette and beer in the pic, named his band after a particular style of vomiting, and has a song called “Giant Need”.

Music style = Punk rock.

Cool. This song is a typical punk rock song, and the group makes good on the genre’s well-cemented conventions. 

At first their Myspace player was tripping out, with this weird syncopated skipping sound, and I was like whoa, this is a pretty trippy introduction. But it was just a computer glitch.

Posted in Song Reviews | 1 Comment »

Ian Bouras

Tonight first review is of a track by Ian Bouras, titled “Between Love and Loneliness“. Just from the title, you get the feeling that you might be dealing with an early 20’s version of yourself. Remember those times when you got high in college and jammed out on headphones all night on the keyboard in your dorm room, knowing you had a final exam the next morning? 

Anyway. I don’t listen to much instrumental electronic music, particularly of the “new age” genre, and so when I started listening to this track I was way too conscious of the synthetic instruments and saturated reverb. But the more I listened the more I forgot about the particularities of the genre and came to accept the song’s motion on its own terms. There’s a really nice breakdown that begins around 3:10 (with a fake horn section I think) and builds to around 3:37, which I really dug. Perhaps because it involves one of my favorite chord progressions, a simple descending three chord line perfectly suited for melancholy.  

This song swims in sincerity, so if that turns you off, oh well. There are a lot of nice layers of simple melodies that intersect in epic, tragic waves. 

Douchebags and hipsters may scoff, but I dig the heart and homegrown production. I bet David Lynch could use this stuff for a Twin Peaks reunion episode…

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